Liesl Müller Echoes The Authentic Music of the Golden Era

Muller is an icon. Probably, one of the very few and last remaining European Divas of the Golden Era of Paris, Vienna and Berlin nostalgic world of cabaret.

Erica Soderholm in the World Art Celebrities Journal writes that Liesl Müller is among artists who define what ‘La Chanson Française’ is all about. The article includes an ‘historical synopsis of French singers of the golden era - artists like Damia, Yvette Gilbert, Juliette Greco’. Homage is paid to remarkable American and Canadian singers like Raquel Bitton, Juliette Koka, and Joelie Rabu. International critics agree "Liesl Müller's music is a tribute to the singers, composers and librettists of the golden era. She uniquely presents the songs of yesteryear. Some songs of the thirties and forties can be sampled on Liesl Müller's Golden Era website. It is also a joy to listen to her authentic interpretation of Viennese songs of the twenties and earlier.Liesl Müller, an accomplished chansonniere in the classical tradition and a great admirer of Lotte Lenya and Ute Lemper, is herself an excellent interpreter of the work of Bertolt Brecht and Kurt Weill. "

‘You are an authentic cabaret chanteuse with class, style, finesse and feeling.’

A recent review of her CD in the international press goes like this:

"A refined lady who sings like a femme fatale chanteuse of "Les annees folles" and Paris Pigale of 1930. A warm and sinfully evocative voice which brings to life the magic, nostalgia and tender beauty of a vanished golden era of the early days of Cabaret and Kabaret of Paris and Berlin. Listening to Liesl Müller's "Paris Canaille" is a joyfully sad delight, because Liesl awakes in us cherished memories we lost for ever.
Liesl's interpretation of Edith Piaf's "Milord" is tenderly sublime. She did capture the intimate moments, the passion and the vocal virtuosity of Piaf. Liesl did not sing Piaf's biggest hit with a French flair. She did it her way; an honest, warm and emotionally captivating personal interpretation. Liesl Müller is an authentic cabaret chanteuse with class, style, finesse and emotions. She is the real thing! Her recent CD " Wien und der Wein" is a superb evocative interpretation of the golden era of early Paris and Berlin world of cabaret. The simple, yet melodiously beautiful musical arrangements, the fabulous accordion half java, half musette "flons flons", and the voice of Ms. Müller gave us a magnificent recording. The accompaniment of Caio Bescarano, Mario Cavaceppi and David Perkins are first class. And this is exactly what Ms. Muller needed to authentically and truthfully recapture the golden era of European cabaret. The song "Drunt' in der Lobau" (Down there in the Lobau) is a pure magic. It tells us the story of a woman who "cannot find the place where her young lover kissed her, but she does remember every bit of that wonderful moment when they kissed: nightingales were singing, happiness laughed from a thousand branches, and they dreamt of an everlasting love." Liesl did a superb job in singing that song. Wien und der Wein is a marvelous CD. Two thumbs up! Rating: 5 stars out of 5. Buy it. Get your copy. You will treasure it for many years to come. World Jewish News Agency.

‘I received your CD – wonderful’

Liesl Müller is the Real Thing!

A refined lady who sings like a femme fatale chanteuse of "Les annees folles" and Paris Pigale of 1930. A warm and sinfully evocative voice which brings to life the magic, nostalgia and tender beauty of a vanished golden era of the early days of Cabaret and Kabaret of Paris and Berlin. Listening to Liesl Müller's "Paris Canaille" is a joyfully sad delight, because Liesl awakes in us cherished memories we lost for ever. Liesl's interpretation of Edith Piaf's "Milord" is tenderly sublime. She did capture the intimate moments, the passion and the vocal virtuosity of Piaf. Liesl did not sing Piaf's biggest hit with a French flair. She did it her way; an honest, warm and emotionally captivating personal interpretation. Liesl Müller is an authentic cabaret chanteuse with class, style, finesse and emotions. She is the real thing! Her recent CD " Wien und der Wein" is a vocal and musical triumph.

The simple, yet melodiously beautiful musical arrangements, the fabulous accordion half java, half musette "flons flons", and the voice of Ms. Müller gave us a magnificent recording. The accompaniment of Caio Bescarano, Mario Cavaceppi and David Perkins are first class. And this is exactly what Ms. Muller needed to authentically and truthfully recapture the golden era of European cabaret. The song "Drunt' in der Lobau" (Down there in the Lobau) is a pure magic. It tells us the story of a woman who "cannot find the place where her young lover kissed her, but she does remember every bit of that wonderful moment when they kissed: nightingales were singing, happiness laughed from a thousand branches, and they dreamt of an everlasting love." Liesl did a superb job in singing that song. Wien und der Wein is a marvelous CD. Two thumbs up! Rating: 5 stars out of 5. Buy it. Get your copy. You will treasure it for many years to come.- Reviewer: Maximillien de Lafayette, syndicated columnist and art critic.